A particularly fascinating series of drawings suggests that Moore drew inspiration from Thomas Crawford’s statue Freedom, which was placed on the dome of the United States capitol in 1863, at the height of the Civil War. A trove of their drawings for hilts modeled after allegorical figures provided valuable insight into the development of a design for which Tiffany & Co. These heralded artisans produced many of the most innovative and ornate presentation swords of the 19th century. Moore, and the French-born silversmith Eugene J. I conducted research at the Tiffany Archives in Parsippany, NJ, focusing on Tiffany & Co.’s most celebrated silversmith, Edward C. I aimed to study some of the era’s most aesthetically and culturally significant swords as well as visit archives with materials relating to the production of swords in the 1860s. The tradition of sword presentation is steeped in chivalrous romance used by both home fronts to cast the war as a defense of the home rather than an act of political aggression. My summer research centered on my first dissertation chapter, which examines presentation swords and their relationship to wartime constructions of chivalry in the North and the South. I am examining how destabilized households and dramatically shifting gender roles found their way into a range of material culture-paintings, photography, architecture, decorative arts, and the dwellings Southerners and Northerners inhabited. Thanks to the generosity of the Decorative Arts Trust, this summer I conducted crucial fieldwork relating to my dissertation, “’Strike Home to the Minds of Men: Crafting Domesticity in the Civil War Era.” This project scrutinizes the various attempts to redefine the meaning of domesticity during the Civil War and Reconstruction periods.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |